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1,95,98,200,305
1,200,98,315,305
1,315,98,437,305
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2,225,72,459,279
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2,58,271,188,478
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2,432,271,657,478
2,58,470,203,677
2,203,470,314,677
2,314,470,452,677
2,452,470,581,677
2,581,470,673,677
2,57,668,163,875
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3,292,86,376,293
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3,55,286,216,493
3,216,286,369,493
3,369,286,518,493
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3,56,485,198,692
3,198,485,347,692
3,347,485,493,692
3,493,485,630,692
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on mouseUp
global Chunk,hypEnab
if Chunk = "" then hypEnab = "f"
else if Chunk = "About the Artist" then AdvanceScroll
else if Chunk = "podcast" then SwapOrLink("http://img668.libsyn.com/img668/92fd5bd9ce15bc3c3b3bf3eeaa042a77/45f1e469/7691/4912/STP-MinneBar-PaulCantrell.mp3")
else if Chunk = "MinneBar session" then SwapOrLink("http://innig.net/music/inthehands/2006/05/10/116/")
else if Chunk = "expansive theme" then playArrowedScore(970,131,73,46,22824)
else if Chunk = "recapitulated" then playArrowedScore(142523,126,376,40,165651)
else if Chunk = "1" then playHighlightedScore(850,"BoxYellow",1,127.000,119.000,322.000,113.000,320.000,180.000,126.000,183.000,6758)
else if Chunk = "1b" then playHighlightedScore(142699,"BoxYellow",1,454.000,106.000,666.000,106.000,684.000,165.000,430.000,173.000,148760)
else if Chunk = "2" then playHighlightedScore(6826,"BoxYellow",1,319.000,110.000,560.000,117.000,560.000,164.000,309.000,188.000,11594)
else if Chunk = "2b" then playHighlightedScore(148820,"BoxYellow",1,73.000,103.000,365.000,109.000,369.000,161.000,49.000,182.000,153574)
else if Chunk = "3" then playHighlightedScore(11634,"BoxYellow",1,563.000,119.000,695.000,108.000,695.000,177.000,557.000,174.000,16754)
else if Chunk = "3b" then playHighlightedScore(153506,"BoxYellow",1,366.000,106.000,675.000,94.000,686.000,176.000,364.000,168.000,158965)
else if Chunk = "4" then playHighlightedScore(16826,"BoxYellow",1,218.000,109.000,498.000,106.000,480.000,173.000,206.000,187.000,22772)
else if Chunk = "4b" then playHighlightedScore(159013,"BoxYellow",1,62.000,107.000,331.000,104.000,350.000,167.000,51.000,180.000,165623)
else if Chunk = "Theme" then playArrowedScore(1046,129,78,50,22816)
else if Chunk = "Recap." then playArrowedScore(142699,126,388,49,165619)
else if Chunk = "Analysis" then AdvanceScroll
else if Chunk = "changing tone" then playHighlightedScore(1018,"BoxYellow",1,76.000,27.000,197.000,28.000,197.000,70.000,74.000,73.000,4212)
else if Chunk = "whole step followed by half" then playHighlightedScore(6758,"BoxYellow",1,317.000,27.000,432.000,25.000,430.000,62.000,307.000,62.000,9196)
else if Chunk = "again" then playHighlightedScore(11554,"BoxYellow",1,562.000,19.000,673.000,18.000,675.000,54.000,553.000,53.000,13722)
else if Chunk = "cadence" then playHighlightedScore(16754,"BoxYellow",1,200.000,14.000,501.000,23.000,492.000,169.000,202.000,182.000,22804)
else if Chunk = "astoundingly beautiful phrase" then playArrowedScore(22884,124,513,40,41648)
else if Chunk = "whole followed by half" then playHighlightedScore(25529,"BoxYellow",1,64.000,17.000,190.000,17.000,197.000,56.000,58.000,57.000,27602)
else if Chunk = "whole followed by whole" then playHighlightedScore(28142,"BoxYellow",1,259.000,20.000,391.000,22.000,402.000,57.000,252.000,57.000,30269)
else if Chunk = "half followed by whole" then playHighlightedScore(30901,"BoxYellow",1,458.000,21.000,591.000,18.000,608.000,54.000,450.000,57.000,33115)
else if Chunk = "half followed by half" then playHighlightedScore(33763,"BoxYellow",1,79.000,19.000,199.000,17.000,205.000,58.000,68.000,60.000,36764)
else if Chunk = "polarized sharp/flat staves" then playArrowedScore(1010,90,86,102,13482)
else if Chunk = "Bach's name in tones" then playHighlightedScore(33787,"BoxYellow",1,74.000,21.000,204.000,16.000,208.000,55.000,69.000,58.000,36912)
else if Chunk = "[1]" then AdvanceScroll
else if Chunk = "return" then returnToAnchor
else if Chunk = "Liszt" then SwapOrLink("http://www.flagmusic.com/clips/liszt-bach.shtml")
else if Chunk = "Measure 13" then playHighlightedScore(33763,"BoxYellow",1,78.000,20.000,200.000,12.000,209.000,56.000,75.000,57.000,36768)
else if Chunk = "spelling of BACH" then playHighlightedScore(33763,"BoxYellow",1,80.000,20.000,198.000,12.000,207.000,56.000,70.000,56.000,36756)
else if Chunk = "prior statement" then playHighlightedScore(1010,"BoxYellow",1,82.000,27.000,194.000,25.000,198.000,69.000,68.000,72.000,4260)
else if Chunk = "BACH" then playHighlightedScore(33763,"BoxYellow",1,90.000,19.000,193.000,19.000,214.000,53.000,62.000,58.000,36808)
else if Chunk = "trio section" then playArrowedScore(72203,84,55,20,142363)
else if Chunk = "the song" then playHighlightedScore(90770,"BoxYellow",1,589.000,23.000,665.000,15.000,681.000,54.000,584.000,54.000,95354)
else if Chunk = "the same" then playHighlightedScore(100764,"BoxYellow",1,174.000,32.000,257.000,26.000,265.000,69.000,153.000,74.000,105090)
else if Chunk = "cambiata's source" then playHighlightedScore(103008,"BoxYellow",1,220.000,27.000,323.000,31.000,336.000,64.000,206.000,67.000,108547)
else if Chunk = "contemporaneously romantic" then playArrowedScore(22884,129,512,41,42956)
else if Chunk = "its motivating idea" then playHighlightedScore(1010,"BoxYellow",1,89.000,29.000,188.000,27.000,195.000,68.000,72.000,69.000,4272)
else if Chunk = "Maestoso" then playArrowedScore(72203,77,56,18,142259)
else if Chunk = "Moderato sostenuto" then playArrowedScore(1010,78,78,13,61183)
else if Chunk = "a sigh and breath of yearning to sustain" then playHighlightedScore(58701,"BoxYellow",1,69.000,4.000,125.000,30.000,130.000,44.000,67.000,69.000,65444)
else if Chunk = "Credits" then AdvanceScroll
else if Chunk = "Paul Phillips Cantrell" then SwapOrLink("http://www.innig.net/")
else if Chunk = "composer's website" then SwapOrLink("http://www.innig.net/music/scores/")
else if Chunk = "[2]" then AdvanceScroll
else if Chunk = "titled BACH" then SwapOrLink("http://www.innig.net/poems/bach.html")
end

























































































































































































































































338,264,765,514
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     Paul Cantrell is a pianist, composer, poet, blogger, and software engineer from the Twin Cities.  He is an unusually gifted and interesting person, one whom an earlier century might have welcomed into the confidence of artists like Robert Schumann, Brahms, or Chopin.  In that century he could well have made a comfortable living as a composer and pianist.  Today's social and economic infrastructure being what it is, Paul writes software and does music on the side.   Listen to his recent }
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\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720  explaining how the Internet is creating "a world of many small stars."
\par
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\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720  is No. 6 in a cycle of nine works that express, in the composer's words\: "the feeling of entropy . . . things falling apart and things slipping away."  Other movements from this cycle that have been published at the }
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\tx4480\tx5040\tx5600\tx6160\tx6720  include\: Entropic Waltz, Dance for Remembering and Forgetting, Cradle Waltz, and Disembodied Dance.
\par
     In treating his own work, the composer is justifiably wary of "giving away too much," preferring to "let the music tell its own story."  This is as it should be.  Our purpose here is not to disenchant the work, but to suggest axis points for listening.  Cantrell provides the cue in describing its main ingredient as ambiguity--an ambiguity heard in retrospect as continually shifting tonal centers.
\par
     The song begins with an }{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920
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\par
\par
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\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720    }{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560
\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 2b}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0
\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720    }{\pard \s2\f7406\fs28\cf5\ql\li160
\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 3b}{\pard \s2\f7406\fs28
\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720    }{\pard 
\s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 4b}
{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720    \par
\par
     We need not betray the compositional trick that effects this transformation.  Suffice it to say that the bass line was highlighted for a reason, with }
{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720 polarized sharp/flat staves}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360
\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720  comprising another cue.  While every composer is more rightly interested  in  the effect than the technique that created it, Cantrell alludes to both.  The technique involves "different layers" that are "centered in different keys, different places."  As for the effect\:
\par
\par
     They mesh so that a note which sounds unresolved\par
     in its own layer often harmonizes with what is going\par
     on in a layer above or below--and then when that note\par
     resolves within its own layer, it must move away from\par
     resolution with respect to that other layer it seemed\par
     to agree with a moment ago.  This means that the\par
     layers are always pulling against each other, entwined\par
     but tugging in different directions, and the music is\par
     always simultaneously both resolving and unresolving.\par
\par
     This is of course what all great music does--simultaneously resolves and unresolves.  At the motivic level, }{\pard \s2\i\f7406
\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 Song for Lost Things}
{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720  is about the }{\pard \s2\i\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920
\tx4480\tx5040\tx5600\tx6160\tx6720 cambiata,}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240
\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720  or }{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120
\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 changing tone}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0
\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 --moving from a pitch to both neighbors then back.  This idea is first heard in whole steps, but returns with a }
{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720 whole step followed by half}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360
\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 , then }{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240
\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 again}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120
\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 .  The theme imprints this motif as a diatonic collection in Gb Major (right hand at least).  The first }
{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720 cadence}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040
\tx5600\tx6160\tx6720  (in C) is followed by an }{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240
\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 astoundingly beautiful phrase}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0
\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720  that  transforms the }{\pard \s2
\i\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 cambiata,}
{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720  as follows\:\par
\par
     }{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600
\tx6160\tx6720 whole followed by half}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360
\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720\par
     }{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600
\tx6160\tx6720 whole followed by whole}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800
\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720\par
     }{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600
\tx6160\tx6720 half followed by whole}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360
\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720\par
     }{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600
\tx6160\tx6720 half followed by half}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360
\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720  (transposed BACH motif) \par
\par
     At this point the motif has become a "lost thing," no longer existing as a literal expression, but more as idea, with many potential expressions.  In this losing, a thing more beautiful has been gained--imagination and potentiality; the contour has become metaphorical, like the metaphor of }
{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720 Bach's name in tones}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920
\tx4480\tx5040\tx5600\tx6160\tx6720  }{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360
\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 [1]}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240
\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 .\par
     Now, I cannot say that this was a conscious thing--I'm rather hopeful that it was not.  The }{\pard \s2\f7406\fs28\cf5\ql\li160
\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 spelling of BACH}{\pard 
\s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720  is an implicit potentiality, the inevitable expression of changing tones--one of those "eddies of endlessly folding-unfolding streamwater slowly and gently enumerating the names of God" }
{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720 [2]}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040
\tx5600\tx6160\tx6720 .  Whereas every }{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800
\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 prior statement}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120
\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720  had returned to the pitch from whence it came--earth to earth and dust to dust--}
{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720 BACH}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040
\tx5600\tx6160\tx6720  does not return, arriving instead at the half step higher, raising the bar a notch.  His is a thought, once broached, that requires additional development, both formally and stylistically.  Cantrell elaborates\:
\par
\par
     Of course, this all happens quickly, and it\'d5s hard\par
     to hear all these little individual motions.  Instead,\par
     it all blends together to give the music a restless,\par
     floating, perpetually suspended quality.  The music\par
     does eventually find a place to rest, but it\'d5s fleeting--\par
     remember\: falling apart, slipping away.\par
\par
     Every great work of art has its hook.  For me, the entry point into }{\pard \s2\i\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0
\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 Song for Lost Things}{\pard \s2\f7406\fs28\cf4
\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720  was the striking transformation of style of its  }
{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720 trio section}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480
\tx5040\tx5600\tx6160\tx6720  (if I may).  Having established the Song's style as }{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0
\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 contemporaneously romantic}{\pard \s2
\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 , the composer risks all by echoing a romanticism long ago forgotten, even at times despised--in lesser hands, a musical death of sorts.  At this precarious moment the specter of entropy looms large.  But the echo is as essential to Cantrell's Song, indeed his cycle, as }
{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720 its motivating idea}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920
\tx4480\tx5040\tx5600\tx6160\tx6720 .  The echo is the Song's }{\pard \s2\i\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120
\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 raison d'\'90tre,}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160
\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720  for it is the lost thing.  The style is different, but }
{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720 the song}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040
\tx5600\tx6160\tx6720  is }{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920
\tx4480\tx5040\tx5600\tx6160\tx6720 the same}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800
\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 --the }{\pard \s2\i\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680
\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 cambiata's}{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0
\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720  source}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160
\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 .  Of this melody Cantrell writes\: "I hear Schubert in the middle section, but it is not a quote of anything, just a quote of everything."
\par
     Perhaps it makes too much, the suggestion that Cantrell's }{\pard \s2\i\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120
\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 Maestoso}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0
\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720  is its majestic source, the thing lost--the romanticism of Goethe, Rilke, Schumann, and Brahms.  If this interpretation seems plausible, then the Song's }
{\pard \s2\i\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720 Moderato sostenuto}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920
\tx4480\tx5040\tx5600\tx6160\tx6720  is }{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800
\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 a sigh and breath of yearning to sustain}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160
\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 , to moderate the mechanistic and deterministic tendencies of modernism.  Ironic, isn't, that the post 9/11 call for temperance finds expression in return to romanticism--what we have caricaturized as the most intemperate of styles.  It is a return, really, to idealism, to the capacity to believe in something--modernity's most lost thing. 
\par
\par
}{\pard \s2\b\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720 Credits}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040
\tx5600\tx6160\tx6720\par
     }{\pard \s2\i\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600
\tx6160\tx6720 Song for Lost Things}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360
\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720  is composed and performed by Paul Phillips Cantrell who has graciously allowed the audio to be served from the BACH site.  The analysis is by Timothy A. Smith.  
\par
\par
                  ***\par
}{\pard \s2\b\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720 Notes}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040
\tx5600\tx6160\tx6720\par
\par
}{\pard \s2\b\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720 [1]}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040
\tx5600\tx6160\tx6720  Bach conceived the melodic expression of his name as any contrapuntal permutation or transposition of B-flat, A, C, B-natural.  Many composers, from Schumann to }
{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720 Liszt}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040
\tx5600\tx6160\tx6720  to Dallapiccola have used this motif to pay tribute to Bach.  }{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0
\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 Measure 13}{\pard \s2\f7406\fs28\cf4
\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720  of }{\pard \s2
\i\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 Song for Lost Things}
{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720  employs a transposition at the fourth.\par
                                        |}{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800
\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 return}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680
\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 |\par
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}{\pard \s2\b\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160
\tx6720 [2]}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040
\tx5600\tx6160\tx6720  These words are from Cantrell's poem }{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120
\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 titled BACH}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0
\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720  (left).  "Streamwater" alludes to "Bach," the German word for "brook."  "Endlessly folding-unfolding" references a technical concept, of the Austrian theorist, Heinrich Schenker, meaning the linear expression of  an harmonic interval.  Insofar as Bach at times composed his name into his music, the phrase "gently enumerating the names of God" also invites non-literal interpretation.  
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                                        |}{\pard \s2\f7406\fs28\cf5\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680\tx2240\tx2800
\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 return}{\pard \s2\f7406\fs28\cf4\ql\li160\ri160\fi0\sb0\sa0\sl0\tx560\tx1120\tx1680
\tx2240\tx2800\tx3360\tx3920\tx4480\tx5040\tx5600\tx6160\tx6720 |\par
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}}